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Shiva's Messenger

nyse

New Member
Here are three paragraphs that start my first novel.


Chapter One - Operation Shiva

From an elevated vantage point behind a slated wooden fence, Jeff Thomas looked over the moderate-sized throng assembled to watch the motorcade pass. A few hands held small flags poised. Casual faces turned his way occasionally but none obtrusively watched him. Jeff scanned above to an unseasonable bright day for conducting a darkly cloaked operation. The sun filtering through the leafy canopy of a large bole tree cast mottling shadows with only his silhouette observable from the plaza below.

He cocked a cheek over his left shoulder. Further back from the concrete and stucco pergolas, no one was close. As a golfer’s on a tee-off swing, this pro’s eyes followed through to a look at his right rear angle. Cars filled the parking lot behind but the drivers and the passengers were all down below the grassy knoll on Elm Street, as a gallery to watch the procession. All here was quiet and still. Was it that time itself had hesitated, to allow a generation to gather an awareness, of where they were at this juncture?

The crowd’s attention was fixed away when he returned his gaze. They were watching where the president’s appearance was anticipated at any moment. A check of the sixth floor window of the brick Schoolbook Depository building showed it was open. That confirmed his partner was in position and ready. Jeff’s blue eyes checked his watch in a habitual manner without even noting the time. It was of no matter. The zero hour would strike soon and the world would soon remember, precisely when it had been.
 
It's good, gives the reader an instant knowledge of what the book is going to be about. I didn't feel much tension, though. Maybe add something after the first sentence like: "Someone important would die today. Maybe several someones. Maybe Jeff would die along with them."

Everyone knows what's about to happen to the president. So focus on your assassin, he's the mystery.

"slated" in the first sent. should be "slatted."

Hope that helps.

JohnB
 
"slated" in the first sent. should be "slatted."
My stock answer to this one is - "If authors could write proper English, editors would be unemployed." :D

Since you found an error in the first three paragraphs, you can presume correctly that there are more. When I can afford better editing, or if I'm picked up by a better publisher, those will be corrected but I'm not able to proofread my own work very well.

It's good, gives the reader an instant knowledge of what the book is going to be about.
:eek: I don't deserve that praise because that isn't what my book is about. I originally wrote chapter one as a prolog with chapter one starting in today.

Chapter 2 - An Old Torch and a Young Flame

From his vantage point inside the small grove of paper birch trees, John Fitzgerald watched his quarry enter the tiny sunlit glade. This hunter is not the Dallas assassin but his appearance is quite similar to the way Jeff looked on that day many years ago.

Having found this game trail and seen that the spoors along the way were recurrent, he has waited patiently for almost five hours waiting for it to return. The bull elk was maybe too young to be legal to take but the meat would be tender and tasty. What was the point of adhering to strict regulation, when John didn’t possess a license anyway? Besides, his location was so remote that the odds of a game officer within even 200 kilometers were long to the point of non-existence. This wasn’t sport but survival in the hinterland. The meat was to restock the larder after the long winter.

John took several slow breaths and a scent of leaves decaying after the retreated snow filled his nostrils. He attuned his senses to all of the forces of nature that surrounded him, including the buck that was his brother. Leveling the rifle at his head, the hunter tucked his cheek behind the back sight. His practiced blue eyes calculated the range and read the whispers of wind in the grass.
 
"Slatted" is more of a typo than an error and yes, everyone has them. I only pointed it out as an aside.

I take it the novel's title is Operation Shiva, which gives me no hint as to the book's genre, and would actually lead me to assume that it was something to do with India or Buddhism. So then I read the 1st chapter, it's about the assassination of JFK. And then you change the whole thing? I'd feel tricked as a reader. If the JFK thing was in the prologue, then I wouldn't feel that way. Chapter 1 should be the start of your story, not a flashback to a tenuously related event. All just my opinion of course, based on fragments.

The writing is good, hope you do well with it.

JohnB
 
The writing is good, but there's no rhythm. Read this out loud to yourself--it sounds monotonous. Change up the sentence length a bit more from time to time, then try it. Long burst of explanations followed by quick tidbits rolls off the tongue nicely. And yes, when you're reading you're hearing. Other than that, nice job and good work.
 
I take it the novel's title is Operation Shiva, which gives me no hint as to the book's genre, and would actually lead me to assume that it was something to do with India or Buddhism. So then I read the 1st chapter, it's about the assassination of JFK.
JohnB
To clear things up, the novel is entitled 'Shiva's Messenger'. It's not about the Kennedy assassination. Set in today, the story follows the Dallas assassin's son on a task of making amends for what his father did--in an unusual way.

Chapter 1 should be the start of your story, not a flashback to a tenuously related event. All just my opinion of course, based on fragments.
JohnB
I initially wrote it with dallas as the prolog, but a friend who read it suggested otherwise--I agreed and changed it. Truthfully, I think you called it right when you said 'based on fragments'. The way to really know whether I made the right choice would be reading the full novel--or at least the first few whole chapters.

Do you want to? I could put them on my website.
 
The writing is good, but there's no rhythm. Read this out loud to yourself--it sounds monotonous. Change up the sentence length a bit more from time to time, then try it. Long burst of explanations followed by quick tidbits rolls off the tongue nicely. And yes, when you're reading you're hearing. Other than that, nice job and good work.

I think only an author can appreciate how HARD that is to do. I have some segments I think are brilliant (IMO)--but trying to keep that up over a full novel is exhausting. Then an editor complains of my using [ing] sentences (ie. Tying his shoelaces, he saw her shapely leg.) Too passive?

I don't know the answer. I find I'm spending so much time trying to polish my previous work, that I don't have the energy to tackle the new stories I want to tell.
 
If you want to post them on your site, I promise to read at least the 1st 2 chaps. If they don't bore me to tears, I'll read even more.

Message me where they are and when they're up.\

JohnB
 
You've got a P.M., nyse. Just want everyone else to know that this is shaping up as a very good and suspenseful novel.

JohnB
 
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