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Midnight in Paris.
A will-o'-wisp of a film. It's fantastical and referential and therefore fun for those with a literary turn of mind. A charming way to spend a couple of hours, whether it stands beyond that I'm not so sure.
I like experimental. I've been reading Wolf's writing for as long as I've been a member here, experimental isn't the term I would use. Its repetitive more than anything else.
Just opining and not being disrespectful, after all, for supposed anti-artists criticism doesn't mean anything anyway...
^ heh.
Wolf Larsen, time to update your avatar pic, buddy.
More to the point, 'I begin the poem inside your convulsing memories' ain't so bad, the rest comes across as conceited gobbledegook.
Don't know about Midnight's Children. Satanic Verses vacillates between being brilliant and tedious. It is a mix of magical realism/surrealism/stream of consciousness, all in Rushdie's linguistically playful style.