I had this thought just now - having just finished Cloud Atlas which was absolutely written in a visual style and thinking of other modern authors I have read (particularly action seems afflicted with it) like Will Adams, Stephen Coonts (who admits to doing it), Simon Toyne, and Thomas Greanias even the Dexter books by Jeff Lindsay who write in a very visual style - it's like writing 101 and movie retelling 101 got confused.
So I wondered if growing up on action movie and video games in a very visual era whether that is affecting how people write? Are we going to be seeing more and more books that are written using movie making cuts aways and shifts in scene and read like some one is telling you the movie?
I wish I were familiar with the evolving styles of modern authors [your title asks about
young authors] to answer with some precision, but "young" seem to be largely out of my reading stream, and the "modern" ones you mention are largely unknown/unread by me.
However two thoughts are prompted by your question. "Making cuts away and shifts in scene" have been noticeable in avant-garde and post-modern authors for some time -- whether or not that means they have been influenced by thoughts from movie-writing. Second, modern technology has been used in modern literary fiction apart from action stories.
Thomas Pynchon comes to mind for his
au courant (and post-modern) writing. although he is by no means young. I have seen favorable comment that he is way ahead of most authors in his understanding and use of technology in his writing.
Gravity's Rainbow comes to mind and
Bleeding Edge, much more recently. The latter includes a description of one character's immersion into an alternative modern-reality emulation via an interactive digital game-like interface, which is mind-blowingly vivid and out there; something which I would guess that modern games-makers would drool to be able to emulate. Or, just think of hearing of a TOR network for the first time in a novel -- again
Bleeding Edge. The title means beyond the "cutting edge," and its technology reads like it.
As a final thought, I would think that any author who was not tilting his writing toward easy adoption by movie makers is marching slower than the crowd, just as any programmer who is not writing apps for hand-held whatever is missing a bet (and may already have missed it).
These are just some thoughts that have been prompted by the tips of technological icebergs that I have noticed here and there in literature.