Winter's Bone comes awfully close to being great - it doesn't  quite get there, but it's close enough. There's been a lot of focus on  the poorer sides of the US in recent films - 
Precious, 
Frozen  River etc - and this basically comes off as a movie based on a  Gillian Welch song. 17-year-old Ree lives with her family in rural  Missouri; but her drug-cooking father is on the run from the police and  her mother has disappeared into clinical depression and it's up to her  to take care of her two younger siblings. Then the sheriff shows up and  tells her that her father put up their house as collaterol for his bail,  and if she can't find him (or his corpse) within a week, they'll be  homeless. Slowly but surely, it turns into a low-key modern US version  of 
The Proposition, with none of the bloodbath (well, almost  none) but a similar haunting soundtrack and impossible moral dilemma;  which part of your family do you sacrifice when the full weight of your  father's sins are visited upon you, and everyone's too busy trying to  survive to be able to help each other out? The director might be a tiny  bit too fond of mountain-life stereotypes (does 
everyone here own  a banjo?) but for the most part, it's a wonderfully bleak, heartrending  little film. 

 +
Frozen, on the other hand, has the same wintry theme but very  little else. Three supremely annoying college kids are dumb enough to  sneak onto a ski lift at night, and now suddenly they're trapped on a  bench 10 metres up, night is falling, and it's 20 below. Oh, and the ski  resort just closed for five days, too. Not really a bad idea, but  poorly executed (if I'd realised the director also made the piss-poor 
Hatchet,  I probably wouldn't have bothered). Basically a remake of 
Open Water  with snow instead of ocean and wolves instead of sharks, except that it  depends even more on our protagonists acting like idiots and crying  about how they're never going to get home again. Which, in a way,  together with the actually rather horrifying premise is rewarding enough  to make the movie worth watching with one eye. But only just. 
